From the devastation of 9/11 to the horror of the 　　London bombings, acts of terrorism have left their mark 　　across the world. 　　The series looks at the groups behind the attacks: their 　　potted histories, their leaders and how some groups 　　even mutated into legitimate political parties. 　　How did terror groups active in Israel after World War 　　II eventually transform into modern day Mossad? What 　　factors finally brought an end to the urban warfare, 　　typified by indiscriminate car-bombings and tit-for-tat 　　sectarian shootings, in Northern Ireland? Why was 　　Osama Bin Laden able to cause so much damage to 　　the Twin Towers? Why is it that one terrorist group fails, 　　while another prospers and develops? 　　With the use of rare archive footage, expert testimony 　　and 3D graphics, this incisive series seeks to answer 　　those questions, and many more. 　　Episodes include: 　　Israeli vs Arab 　　Al Qaeda and Bin Laden 　　The IRA 　　Fatah and Hamas 　　The PLO 　　ETA 　　The Red Brigades 　　Baader Meinhof 　　The EOKA 　　Nasser and Egyptian Terrorism 　　Colonel Gaddafi and Libya 　　Algeria and the OAS 　　The SLA and Patty Hearst 　　The Weathermen (USA) 　　US Survivalists (Timothy McVeigh) 　　Ku Klux Klan 　　Japanese Sarin Cult 　　The Mahdi Army 　　Che Guevara 　　Fidel Castro 　　ANC and Nelson Mandela 　　The Mujahadeen 　　The Radfan Rebels 　　The Tamil Tigers 　　The Moluccan Separatists 　　Somali Warlords

Amidst the profound social change and political turmoil of post-war Japan, a bold generation of avant-garde artists and photographers emerged in the 1960s, forever transforming the global art landscape. 　　The 1960s era in Japan was a time of profound social change, political unrest and student protests. The turbulent times of the postwar era inspired an artistic explosion in Japan, with the emergence of a revolutionary scene of avant-garde artists who pioneered many disciplines: experimental and erotic photography, "Angura" theatre and underground street performances, apocalyptic Butoh dance, surreal illustrations and seminal graphic design. A new aesthetic of photography was born: "Are, Bure, Boke" (rough, dark and out of focus), pioneered by Moriyama Daido and the Provoke magazine photographers. Araki beautified bondage and Hosoe Eikoh sublimated the male body. Ishiuchi Miyako captured her experience of American military bases. Kawada Kikuji's era-defining photobook The Map captured the poignancy of Hiroshima's trauma. Master of underground theatre Terayama Shuji produced countless magical, surreal and vividly colourful films, plays and photobooks, Yokoo Tadanori and Awazu Kioshi revolutionised graphic design with their incandescent theatre posters, Tanaami Keiichi, Japan's answer to Andy Warhol, developed his unique kaleidoscopic vision of Pop-Art, and Butoh founders Hijikata Tatsumi and Ohno Kazuo impacted modern dance forever with their dance of darkness and light.

画家及记录片导演Jürgen Böttcher的唯一一部剧情影片，讲述一对新婚夫妇在他们的小公寓里享受疯狂的喜悦。影片一上映便在东德遭禁，直到1990年东西德统一才得以重见天日。 　　第40届柏林国际电影节(1990)　 费比西奖-光荣提及-新电影论坛　 Jürgen Böttcher 　　第40届柏林国际电影节(1990)　 Interfilm奖-荣誉提及-新电影论坛　 Jürgen Böttcher

随着历史车轮，中国人每一个阶段都会有不同的的过年习俗和方式。现在很多人觉得因为科技发展，年味淡了，我们更多的在手机上完成拜年和发红包，而这种过年方式的变化是否影像以后的年？希望通过影片带给观众思考想象

1945年是英国历史上关键的一年，二战刚刚结束，百废待兴。当年英国大选，工党发表《让我们面对未来》的竞选纲领，声称自己是“社会主义政党”，并出人意料地以绝对优势击败长期执政的保守党，成为英国社会的执政党。工党上台后，推行一系列以经济计划化为主体的“社会主义”改革政策，以求推进英国经济的恢复和重建。肯·洛奇执导的这部影片正是通过对一系列重要历史事件的回顾，来探讨那一时期的“社会主义”精神是如果影响了英国社会政治和经济生活，以及到了现阶段这些精神所能够给予人的启发。

作为日向坂46四期生单独冠名节目一直定期播出的《日向坂音乐游行》，加上“情景喜剧”元素后升级回归。节目以东京某卡拉OK包厢为舞台，热爱卡拉OK的四期生们尽情高歌，打造出“歌曲×喜剧”相融合的节目。此外，成员们还将发挥各自独特个性，首次挑战短剧表演。前作中设置的嘉宾话题、音乐游戏环节、开场环节“巧克力游行46秒”以及结尾环节“日向拍照”均被取消。另外，“超·限定卡拉OK排行榜”也不再出现。

作为日向坂46四期生单独冠名节目一直定期播出的《日向坂音乐游行》，加上“情景喜剧”元素后升级回归。节目以东京某卡拉OK包厢为舞台，热爱卡拉OK的四期生们尽情高歌，打造出“歌曲×喜剧”相融合的节目。此外，成员们还将发挥各自独特个性，首次挑战短剧表演。前作中设置的嘉宾话题、音乐游戏环节、开场环节“巧克力游行46秒”以及结尾环节“日向拍照”均被取消。另外，“超·限定卡拉OK排行榜”也不再出现。

一个名为希尔兹·格林（Shields Green）的奴隶，因儿子被白人拷打而报仇杀人，不得不向北方逃亡。辗转之下遇到了弗雷德里克·道格拉斯（Frederick Douglass）和约翰·布朗（John Brown）。并在1859年追随约翰·布朗（John Brown）发动了哈珀斯渡口起义，打响了南北战争的前奏。又名: 废奴皇帝

闷热的八月，两名正统犹太人来到遥远的匈牙利村庄，当地村民却并不欢迎他们的到来。

Set in Burma in the year 1945, Netaji Subhash Chandra Bose plans to launch the INA to fight the British. This is also the time when Adi comes back to Burma to take care of his family business. Upon his arrival, he gets engaged to a British Tasildar’s daughter. Just as he is set to get married, the atrocities of the British keep growing and Adi is forced to fight the British.